Friday, 24 April 2009

NERO MAGAZINE



Been thinking about shit a lot recently.

Particularly in reference to a painter called Mary Barnes – who used to paint with her own shit. I have written an article for the latest issue of Italian magazine NERO about Mary's coprophiliac persuasions . I will be curating a show about the relationship between Mary Barnes and her guru (of sorts) R.D. Laing some time next year, so this text serves as a little intro...

You can read the whole magazine on the NERO website: http://neromagazine.it/n/

Or download the article here

Saturday, 18 April 2009

THE LIVE! SHOW



My latest curatorial project centers around The Live! Show, a New York based cable access avant-garde TV show run by Jaime Davidovich between 1979 and 1984.

Press release below + a taster clip...

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THE LIVE! SHOW
Jaime Davidovich

29th April / 23rd May, 2009
SEVENTEEN

'It was the beginning of cable television and as such probably the first opportunity, and maybe the last, to be able to participate in the whole cultural process. It would give us a little window to the outside world which enabled us to show our work, not just my own, but the work of everybody, and to create a truly alternative television. The timing was perfect.'


- Jaime Davidovich


Pitched as a television variety show of the avant-garde - hosted by real and invented personalities and jam packed with interviews, vox pops, home-shopping segments, art performances, live call-ins, art lessons and 'much more' - The Live! Show debuted on Manhattan cable station Channel J on December 21st, 1979.

Though a manic collage of playful ideas, The Live! Show also operated as a polemical artwork for its creator Jaime Davidovich. Davidovich had a long-standing interest in television as a platform for artistic production and intervention and The Live! Show allowed him to critically explore - albeit gnomically - this interest while engaging directly with the conditions of television culture itself.

Davidovich, as the show's host, editorialist, and chief ideologue, wanted people to be aware of their own behaviour in relation to television and the place that television occupied in their daily lives as a transmitter of ideas and cultural values. Davidovich, usually assuming his favoured character role of 'Dr. Videovich' (described by New York Times television critic John J. Connor as 'a persona somewhere between Bela Lugosi and Andy Kaufmann'), would invite artists such as Laurie Anderson, Les Levine and Robert Longo onto The Live! Show to perform and make work. Davidovich also took advantage of his airtime to do a little selling, inaugurating a segment called 'The Video Shop', selling things like Winky Dinky sets, Dukes of Hazzard bedtrays and other objects he'd made especially for sale on the show.

Finally after five years The Live! Show was retired - leaving for history a unique experiment in art television; one that was intensely personal, slightly self-indulgent, often original and definitely entertaining.

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For this exhibition episodes and excerpts from The Live! Show will be screened alongside archive materials, printed matter and original photographs drawn from The Live! Show's run between 1979 and 1984. The work of Jaime Davidovich (American, Born 1936, Argentina, lives and works in New York) is featured in prominent public collections including MOMA New York and The Museo Nacional Centro de Arte Reina Sofia. Recent exhibitions include 40 Years / 40 Projects, White Columns New York (2009) and 'Jaime Davidovich', MAMBA, Buenos Aires (2005).